Creator - Louisa May Alcott

duration - 135m

Scores - 99213 Vote

genre - Romance

2019

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Little women time period. Little women full movie 2019. Little women 2019 watch online 123 movies. Most men will suffer permanent brain damage when watching this movie. Yes, it is less damaging than watching a Rambo movie, but still very damaging. A complete and continuous torture. The greatest strength in this film is its ability to convey warmth and care between characters. I loathe films that will try to get a big "AWWWWWWHHH" out of the audience at particular scenes, but that is not what is happening here. Instead, the way the characters are constantly in physical contact and there for each other provides such a heart-warming atmosphere at all times. Saoirse Ronan and Florence Pugh are brilliant in their roles, especially the former. The greatest downfall of Little Women is its inability to convey time changes. The entire film is 2 timelines running side by side, 7 years apart. It is very difficult to distinguish between the two right when a scene starts. Because of this, I actually gave up on enjoying the plot all together, and instead just basked in the warmth and friendliness that Greta Gerwig created.

Little women pbs. This film prompted me to download IMDB and leave my first review. I am BAFFLED as to why it's nominated for so many awards.
1. The weird timeline.
I get that nowadays not a lot of movies are presented in a linear fashion, and that Little Women has already been presented in chronological order time and again, so kudos to them for trying to do at least one thing differently. And it might have worked if there were clearer distinctions between past and present, or if the order of the scenes at least made sense artistically. All the characters looked EXACTLY the same in both the present scenes and the ones taking place seven years earlier, which was disorienting and made it difficult to tell when we'd jumped to a different time or not. Not only did they not make big changes, such as making any attempt whatsoever to make Amy look younger in the past scenes (she's meant to be 13, but she looks 30! Why not use a different actor. but they also didn't make subtle changes, e.g. changing their hair slightly or giving Laurie some facial hair when he's meant to be older. It was a miracle when Jo cut her hair because I momentarily had a way of distinguishing which time period we were in. As there were no visual cues, it was left entirely up to the actors to capture the age difference through their performance, which meant we got a 30yo Florence Pugh play-acting as a precocious child half the film, and a 15yo looking Timothee Chalamet play-acting as a drunk/aimless gentleman, looking like a boy wearing his Dad's wedding suit to prom.
2. Odd casting
Let's address the elephant in the Odenkirk as Daddy March. He didn't do a bad job, but he seemed so odd in the role and it was distracting. Any second I expected him to jump out and yell "BETTER CALL SAUL! That aside, his presence as the patriarch of the family was wasted. We wait three quarters of the film for this man to get back from the war, and when he does he hardly has any lines or personality. I wanted to see the male presence in the house that contributed to who these girls were. We've got four strong daughters here, I think it's safe to say the one male role model in their house probably played an important part in that and I would have liked to see that come together in a way that made more sense. Missed opportunity.
Timothee Chalamet on the surface seems like a good choice for Laurie. He is endearing and has a boyhood charm that is very watchable, plus he seems to be a strong actor (this is the first film I've seen of his. However, I think he was unable to capture some really essential aspects of Laurie's character, such as his loneliness and initial shyness. And by the time he was supposed to have reached manhood, he didn't look different and he didn't really behave any different. I was really hoping that we would finally have an adaptation in which his relationship with Amy finally made sense. Because Laurie's arc is that A) he loves this family and will do anything to be part of it, B) he mistakes the close bond of friendship with Jo for romantic love, and C) he finally learns what love is when he and Amy are in Europe, away from the family and finally free to find their own identity. I wanted to finally see them fall in love organically, but instead it felt very much like the classic old "well I can't have Jo so her sister will do. 🙄. Then, when he tells Jo about his and Amy's relationship and asks if they can still be friends, there was an absolute missed opportunity for Jo to say "No - because you're my brother now. AND THEN THEIR WHOLE RELATIONSHIP WOULD HAVE MADE SENSE TOO! Plus it wouldn't be as awkward that he's with Amy now! And all this brings me to my third point.
3 Fake Woke-ness
I preface this by saying I am a feminist, and was very much looking forward to seeing a modern adaptation of what is already one of the most powerful stories for, by and about women in all of literature. Instead, I got a couple of cliched bits of dialogue about how marrying is an economic decision for women and an altered ending because LORD FORBID Jo should be a fully rounded woman who learns that she can have both love AND independence 🤦‍♀️. Changing Jo's ending doesn't make it more feminist, it just robs her of her arc. She's allowed to be stubborn, ambitious and independent AS WELL AS lonely, contradictory and confused because that's how real people are! It's what makes her a whole character and not just a caricature. It was such a tokenistic move. Plus, I resent the fact that they've been promoting this as though it's the ending Louisa May Alcott would have wanted - says who? It paints her as a fool to assume she wasn't in charge of her own decisions when crafting her novel and ultimately it seems to me that it is the opposite of supportive to undercut her work like this and then patronise her memory.
Also, if this retelling was truly meant to prioritise these women's stories and make them real and relevant, why was Beth still a blip in the plot to make us cry at the climax and essentially nothing more? She still had no personality, hardly any lines, no human flaws or failings that would have made her a real, whole person. I wanted so bad to see her get angry, or to see her get jealous, just once. Like real people do. She's been given a rough lot in life, but we never hear her talk about how she has come to terms with her own mortality, or her fear of the unknown. We don't hear her fears, her triumphs, her bitterness, her resentment. She's thing. Just the perfect little quiet angel and nothing more. And for a movie that claims to be putting women's stories front and centre, it's astounding to me that they would sell Beth's story so short in 2019 the same way all previous iterations have. Another missed opportunity.
The mum was basically the same. I wanted to know how she copes with four girls, no money and the fear that her husband might not come home. Why is she with Mr. March to begin with? How did they meet? Why does she love him? Does she not get lonely and angry and tired? And if so why do we not see any of it? Can't one of these characters be a whole rounded person? Is that too much to ask?
And my final nitpick on the fake woke-ness is the token diversity. There's a weird scene where Marmie and several African American servants are packing supplies for the war. I can't remember the dialogue exactly, but Marmie says something along the lines of "I used to be quite ashamed of my country. And an African American woman (this is her only line of dialogue mind you) says "with all due respect, I think you still got a lot to be ashamed of.
Wow! They went there! Go, Greta Gerwig, you stick it to the white man! Rub their noses in their atrocities! But don't give the black character a name or any more lines or any other purpose than to make you feel like a better ally. Honestly, what were they thinking when they decided to write that in? Are they patting themselves on the back right now for giving one person of colour a line of dialogue?
To conclude, I'll list some of my more minor issues:
Emma Watson's accent
No screen time at all was devoted to helping us understand why Meg fell in love with John
Why did they add in Jo writing that letter to Laurie saying she'd marry him if he still wanted? And why did Gerwig think it was cool for her strong, independent Jo to do that, but not end up with the man she actually loved?
It was unclear why Laurie was being so salty to Meg at her debutante. I know that happens in the book, but in the book it's because she's putting on airs and acting like someone she's not. As far as I could tell, in this one she was just having fun and going along with it; she wasn't being snooty or arrogant or anything that would have warranted Laurie's treatment. And it's just little things like that that make me question all of Gerwig's direction. So much of the acting and the dialogue was just missing a naturalness, a reality that would have made it add up. At the end of the day, it felt like acting and it felt like dialogue. That's not a good thing.
The set/costuming/cinematography offered absolutely nothing unique or original to the story. Itwas pretty and there was attention paid to detail in the mise en scene, but there were no striking shots or stand out scenes. It was just kinda basic and uninteresting.
Redeeming qualities:
Chris Cooper and Meryl Streep played their roles excellently. Meryl Streep more than any of the other women in the film managed to capture both a sternness and a gentleness, a stubbornness as well as understanding. She made it clear that Aunt March wanted what was best for her family's survival but that she knew these girls would ultimately make their own decisions in life. And she managed to capture the mix of pride and disappointment that that character had - which is just the sort of contradictory quality that real people have and which I would have liked to see in all the other cast members. Because at the end of the day, there's a bit of a battle in all of us and neither side ever fully wins. Meg wants to be a rich society lady with fancy dresses, but she also wants to be a good wife and mother and lead a simple life. Jo wants a career and independence but she also deep down wants human connection and an ending she was promised in all the stories she reads and loves. This is the sort of inner conflict that makes for all the best characters in any story. So why was Meryl Streep, with a role so small and mostly dedicated to comic relief, the only one to achieve this?
I was going to give the film 3 stars because 1 seemed harsh, but the more I think about it, the less I can think of how it has earned two extra stars. Because honestly, it hasn't. I wanted so much more out of this film. I wanted a version of Little Women fit for the new decade and I did not get it.

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